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“Wesley Willis’s Joy Rides”
a review by Darby O’Gill

Many of you probably have never heard of Wesley Willis, but I do know there are a healthy handful of you out there that do. For those who don’t, Wesley Willis was an artist, a poet, and even a rock star. You could even say he could really whip a horse’s ass. At first glance Wesley may have seemed like nothing more then a homeless chronic schizophrenic, but for those of us who took a moment to take a look closer, we got to see an amazing human being that never let his lot in life get in the way of his dreams. Wesley Willis’s Joy Rides is a documentary, I’m sorry “It’s a Rock You Mentary,” about the life and times of the Fabian Road Warrior himself. The really nice thing about this film is that they don’t just focus on his music and the cult following that followed, but they also spent a great deal of time showcasing his artwork, which is quite outstanding. My only problem with this film is that it seemed to lack a solid structure. We just seem to hang out with Wesley, which is cool, but I would have just liked a little bit more of a narrative on his life. The documentary does have moments like this, but I think a little more insight would have brought this film to the next level.
I’ve been a fan of Wesley’s since college, and I even got to see him perform at a small venue in Columbus, Ohio. To this day, I’m so glad I didn’t let that opportunity pass me by. In the last eight years here in Los Angeles, I’ve been able to see a lot of amazing performances, by some of the biggest names in music, in a room of maybe ten people, and to this day seeing Wesley still tops a lot of those moments. I’m proud to say I was head bunted by Wesley Willis one night at Bernie’s in Columbus. This documentary may not mean that much to you if you’re new to the world of Wesley Willis, but for those of us that do remember him, this movie is a must see. Say Rah… Say Raow… And, you just made Wesley very happy wherever he might be right now. The world is a better place having had you in it big guy.

Rating:


DVD Special Features:

  • Photo Album
  • Art Gallery
  • Deleted Scenes
  • “The Dead and the Dying” Short Film featuring Wesley Willis
  • Audio Conversation Clip

Not a ton of special features, but what it does have is pretty good. The art gallery is fantastic! It’s really great to be able to freeze the images on your television screen to see all the amazing details in his drawings. There’s a healthy helping of deleted scenes, and a really bad short film called “The Dead and the Dying,” featuring Wesley for all of a minute; but it’s a nice thing it have. I’m not really sure of the reason for including the eight minute audio conversation clip, but it’s there if you want to listen to it.

DVD Special Features Rating:



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“Pirate Radio/The Boat That Rocked”
a review by Darby O’Gill

Hands down, the feel good movie of the year! Before Howard Stern, and even before Wolfman Jack, a band of rogue deejays rocked the airwaves. In 1966, at the height of the British Invasion, rock and roll was only allowed to be played on British radio stations for barely two hours a week. The only way people in the U.K. could listen to rock or pop music was by tuning into pirate radio stations broadcasting from boats just off the coast of Britain in the North Sea. In Pirate Radio, previously released as The Boat That Rocked, earlier this year in the U.K., writer/director Richard Curtis tells a fictional story based on the true events of Britain’s rock and roll revolution. Broadcasting live 24/7 from an old tanker turned makeshift radio station, anchored just outside British jurisdiction, is a band of misfit deejays known as Radio Rock.

The story begins when Young Carl is sent by his mother to the ship known as Radio Rock, to spend time with his godfather Quentin, the owner of the radio station, who is played by the always brilliant Bill Nighy. It’s very much a coming of age story, and I think the British equivalent to Cameron Crowe’s Almost Famous. Once on board, Young Carl meets the motley crew of deejays. There’s The Count, the flagship American deejay that is constantly pushing the envelope and crossing the line, masterfully portrayed by Philip Seymour Hoffman. There’s the always charismatic, and at times narcissistic Doctor Dave, played by the extremely funny Nick Frost. Another familiar face is that of Flight of the Concords’ manager Brian, actor Rhys Darby, who plays the self proclaimed funny man Angus “the nut” Nutsford. Even though all the faces may not be familiar, this is truly an all-star cast. Each performance is so masterfully executed that you can’t help but feel the authenticity of this film. However, I think one of the most unsung heroes of this film is Ike Hamilton, who plays Harold, the ship’s booth technician. If you watch Ike’s performance throughout the film, I guarantee that you will be totally blown away. Every little nuance that he brings to the character of Harold just radiates brilliantly off the screen. If you’re reading this after you have already seen the film, I highly recommend seeing it again for Ike’s performance alone. But, if you’re anything like me you’ll already want to see this movie again regardless.

The other side of this story is that of the British government and their efforts to stop the pirate radio ships from broadcasting. This task is helmed by Sir Alistair Dormandy, played by Kenneth Branagh, and his new assistant Mr. Twatt. I’m not kidding, his last name is Twatt. And, yes Richard Curtis takes full advantage of it. Twatt is played by Coupling‘s Jack Davenport. Now, don’t worry. The political stuff doesn’t weigh down the story at all. Mostly because it’s not an overpowering plotline and it also lends itself to some of the film’s funnier scenes. I dare you not to laugh or at least snicker every time Dormandy says, “Twatt.”

Richard Curtis has, as always, done a masterful job telling this story. His unique vision, and heart warming style of storytelling, makes Pirate Radio/The Boat That Rocked a must see film. Every part of this film oozes 1966. The wardrobe is fantastic, the soundtrack is to die for, and even the look of the film itself sets the tone. It’s almost as if the film was shot and processed in 1966. Adding to the film’s authenticity, the bulk of the movie was shot onboard an actual ship, just off the south coast of England. Richard Curtis’ first cut of the film had a running time that was just over three hours. The final cut of The Boat That Rocked had a two hours and fifteen minute running time, where as the final cut for Pirate Radio has a one hour and fifty-six minute running time. I’ve seen the U.K. version of the film and enjoy both cuts, but I have to say this film is so enjoyable that I wouldn’t mind sitting though the three hour cut at some point. Most of the missing scenes from the first cut of the film appear on the U.K. DVD release of The Boat That Rocked. (U.K. DVD review will be posted soon) The two major scenes that were cut from The Boat That Rocked for the U.S. release of Pirate Radio consists of a visit to the Radio Rock ship from a large group of contest winners, and the other is the unseen stag party in London. The scenes aren’t necessarily needed, but this movie is so, as I said before, enjoyable that I don’t think you could ever get enough of these characters.

I realize this review is quickly becoming a mini-novel, but I think I would be crucified if I didn’t at least talk about the music in the film. As you would imagine, this movie is chock-full of classic rock from the likes of The Who, The Kinks, The Turtles, and so many more. Both the U.K. release, and the U.S. release of the soundtrack feature a two disc edition with 36 tracks to take you back. Also, the opening credit graphics are fantastic! The use of the radio tuner dial transitioning from scene to scene, as The Kinks’ “All Day and All of the Night” blares, instantly sucks you into the world of the movie. But, I think one of my favorite things was the use of the album covers in the end credits. It not only instills you with a fantastic sense of the history of rock and roll, but it also makes you want to listen to some great albums you might not have listened to in awhile. The bottom line here should be obvious at this point, but needless to say I highly recommend this movie no matter which version you see.

Rating:

5 Little People