You are currently browsing the tag archive for the ‘Nick Frost’ tag.

“Paul”
a review by Darby O’Gill

Throughout the history of cinema we have always had our share of great comedic duo teams, Stan Laurel & Oliver Hardy, Bud Abbott & Lou Costello, Burt Reynolds & Dom DeLuise, David Spade & Chris Farley, and now Simon Pegg & Nick Frost. Okay, that might be a little bit of a grand statement, but I’ve got to say it’s one that I’m proud to stand behind. From Spaced to Hot Fuzz, Pegg and Frost have more than earned their place on that list. In their newest team-up, they find themselves on the run from the men in black with a little help of the third kind.

In Paul, illustrator Graeme Willy (Simon Pegg) and aspiring sci-fi writer Clive Gollings (Nick Frost) have ventured across the pond on holiday to attend the Holy Grail of all nerd events, the San Diego Comic-Con! However, the Comic-Con is just the beginning of the duo’s epic adventure. Having rented an RV, Graeme and Clive plan to visit all the UFO hot spots the American Southwest has to offer, from Area 51 to the infamous UFO crash site in Roswell, New Mexico. But, their plans quickly change when in the desert just outside Area 51, they stumble upon a real life alien named Paul (voiced by Seth Rogen). Now on the run from government agents that want Paul back, the boys will do their best to help their new alien friend get home.

Paul might not be an instant classic, or even in line for an Oscar anytime soon, but it’s a fun ride just the same. I really had a good time watching this one, and can’t wait to see it again. It’s just fun to watch Pegg & Frost do their thing, even if it is without the help of good friend Edgar Wright. That’s not to say that Wright was completely left out of the making of Paul. There’s a nice little nod in one of the scenes, to the movie Edgar was filming at the time of Paul. In the comic book shop in Roswell, there is a rack full of Scott Pilgrim trades proudly on display. This movie is full of little gems like that. With so many science-fiction movies, comic book and pop culture references in it, Paul has definitely set a record. I would almost say there are too many, but somehow it works. I think having so many in the film, gives the movie a little bit of a leeway. Well, that and the fact that Graeme and Clive are a pair of hopeless nerds, who would most likely talk like that. The other thing that really helps you enjoy this movie is the character of Paul himself. Seth Rogen does such a great job of breathing life into this fully culturally integrated spaceman. I love that he is constantly pointing out the misconceptions of alien stereotypes, and has a true gift for stating the obvious. Did I mention that Paul is also the idea man (well, alien) behind some of our greatest science fiction? Well, he is! Paul is truly the ultimate fanboy road trip movie!

Rating:


Advertisements

“Pirate Radio/The Boat That Rocked”
a review by Darby O’Gill

Hands down, the feel good movie of the year! Before Howard Stern, and even before Wolfman Jack, a band of rogue deejays rocked the airwaves. In 1966, at the height of the British Invasion, rock and roll was only allowed to be played on British radio stations for barely two hours a week. The only way people in the U.K. could listen to rock or pop music was by tuning into pirate radio stations broadcasting from boats just off the coast of Britain in the North Sea. In Pirate Radio, previously released as The Boat That Rocked, earlier this year in the U.K., writer/director Richard Curtis tells a fictional story based on the true events of Britain’s rock and roll revolution. Broadcasting live 24/7 from an old tanker turned makeshift radio station, anchored just outside British jurisdiction, is a band of misfit deejays known as Radio Rock.

The story begins when Young Carl is sent by his mother to the ship known as Radio Rock, to spend time with his godfather Quentin, the owner of the radio station, who is played by the always brilliant Bill Nighy. It’s very much a coming of age story, and I think the British equivalent to Cameron Crowe’s Almost Famous. Once on board, Young Carl meets the motley crew of deejays. There’s The Count, the flagship American deejay that is constantly pushing the envelope and crossing the line, masterfully portrayed by Philip Seymour Hoffman. There’s the always charismatic, and at times narcissistic Doctor Dave, played by the extremely funny Nick Frost. Another familiar face is that of Flight of the Concords’ manager Brian, actor Rhys Darby, who plays the self proclaimed funny man Angus “the nut” Nutsford. Even though all the faces may not be familiar, this is truly an all-star cast. Each performance is so masterfully executed that you can’t help but feel the authenticity of this film. However, I think one of the most unsung heroes of this film is Ike Hamilton, who plays Harold, the ship’s booth technician. If you watch Ike’s performance throughout the film, I guarantee that you will be totally blown away. Every little nuance that he brings to the character of Harold just radiates brilliantly off the screen. If you’re reading this after you have already seen the film, I highly recommend seeing it again for Ike’s performance alone. But, if you’re anything like me you’ll already want to see this movie again regardless.

The other side of this story is that of the British government and their efforts to stop the pirate radio ships from broadcasting. This task is helmed by Sir Alistair Dormandy, played by Kenneth Branagh, and his new assistant Mr. Twatt. I’m not kidding, his last name is Twatt. And, yes Richard Curtis takes full advantage of it. Twatt is played by Coupling‘s Jack Davenport. Now, don’t worry. The political stuff doesn’t weigh down the story at all. Mostly because it’s not an overpowering plotline and it also lends itself to some of the film’s funnier scenes. I dare you not to laugh or at least snicker every time Dormandy says, “Twatt.”

Richard Curtis has, as always, done a masterful job telling this story. His unique vision, and heart warming style of storytelling, makes Pirate Radio/The Boat That Rocked a must see film. Every part of this film oozes 1966. The wardrobe is fantastic, the soundtrack is to die for, and even the look of the film itself sets the tone. It’s almost as if the film was shot and processed in 1966. Adding to the film’s authenticity, the bulk of the movie was shot onboard an actual ship, just off the south coast of England. Richard Curtis’ first cut of the film had a running time that was just over three hours. The final cut of The Boat That Rocked had a two hours and fifteen minute running time, where as the final cut for Pirate Radio has a one hour and fifty-six minute running time. I’ve seen the U.K. version of the film and enjoy both cuts, but I have to say this film is so enjoyable that I wouldn’t mind sitting though the three hour cut at some point. Most of the missing scenes from the first cut of the film appear on the U.K. DVD release of The Boat That Rocked. (U.K. DVD review will be posted soon) The two major scenes that were cut from The Boat That Rocked for the U.S. release of Pirate Radio consists of a visit to the Radio Rock ship from a large group of contest winners, and the other is the unseen stag party in London. The scenes aren’t necessarily needed, but this movie is so, as I said before, enjoyable that I don’t think you could ever get enough of these characters.

I realize this review is quickly becoming a mini-novel, but I think I would be crucified if I didn’t at least talk about the music in the film. As you would imagine, this movie is chock-full of classic rock from the likes of The Who, The Kinks, The Turtles, and so many more. Both the U.K. release, and the U.S. release of the soundtrack feature a two disc edition with 36 tracks to take you back. Also, the opening credit graphics are fantastic! The use of the radio tuner dial transitioning from scene to scene, as The Kinks’ “All Day and All of the Night” blares, instantly sucks you into the world of the movie. But, I think one of my favorite things was the use of the album covers in the end credits. It not only instills you with a fantastic sense of the history of rock and roll, but it also makes you want to listen to some great albums you might not have listened to in awhile. The bottom line here should be obvious at this point, but needless to say I highly recommend this movie no matter which version you see.

Rating:

5 Little People