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“Thor”
a review by Darby O’Gill

When Gods become superheroes… or something like that. Thor is the latest odyssey in the Marvel Studios journey towards the all-star extravaganza that will be The Avengers. To be honest, I’m not much of a Marvel Comics fan, or a Thor fan for that matter. I’m more of a DC Comics man myself, but that’s not to say I can’t enjoy a good Marvel movie. Sadly, Thor is not one of them. It’s not a horrible movie, I mean it’s no Jonah Hex, which by the way was last year’s Death Coach winner, which should dispel any thoughts of publisher loyalty that you might find in this review. But, Thor does have its fair share of problems, as well as nice moments, however few.

In Thor, King Odin (Anthony Hopkins) of Asgard tries to prepare his two sons for the challenges they may face one day as future kings. His eldest, the Mighty Thor (Chris Hemsworth) is cocky and arrogant, and only wishes to show off his superior strength and fearlessness at any chance he can get. Loki (Tom Hiddleston) on the other hand, likes to use his head, and manipulate situations and others to help mold events to his liking. They don’t call him the God of Mischief for nothing. The ying to Asgard’s yang is Jotunheim and its people the Frost Giants. When a small group of Frost Giants breach the palace’s security, Thor wishes to go to Jotunheim and strike fear into the heart of its people to never try such a thing again. Odin strongly forbids it, but Thor and his men, consisting of the Warriors Three (Ray Stevenson, Tadanobu Asano, & Josh Dallas) and Sif (Jamie Alexander), along with his brother Loki, sneak-off to Jotunheim and unwittingly start a war. Yeah, I don’t get that either! What did they think would happen? Anyway, Odin strips Thor of his powers and banishes him from Asgard. He is cast to Earth as a mortal man, but his Mjolnir (Thor’s Hammer) is also sent to Earth as a “Sword in the Stone” to restore Thor’s powers once he’s learned his lesson. While on Earth he meets astrophysicist Jane Foster (Natalie Portman), and S.H.I.E.L.D., and bla babla babla. You get it right?!

Okay, so let’s just say Thor didn’t make me a fan of Thor. It’s too bad too! I was really hoping having director Kenneth Branagh behind the wheel of this one would have done for Thor, what Jon Favreau did for Iron Man. That’s not to say Branagh didn’t do a good job! If it wasn’t for him, we could have easily been looking at next year’s Death Coach Award winner here. The problem isn’t so much the directing, as it is the writing. The script isn’t horrible, but it does feel like it’s just jumping from plot point to plot point to keep the story moving, and it never lets you really care about the characters, or even the story for that matter. The storyline in Asgard is much more defined than that of the story on Earth, but that comes as of no surprise with Branagh’s Shakespearean background. Chris Hemsworth is perfectly cast as Thor! He did an incredible job of bringing the mighty comic book God to life. We also get to see Thor and his powers unleashed pretty early in the film when he battles the Frost Giants on Jotunhein, and I’ve got to say some of the hammer tricks were pretty bad-ass! It’s just too bad I didn’t get to have that feeling again by the end of the movie. I would have really liked a second helping of that fight scene later on in the film. I can’t for the life of me figure out why Thor’s best fight scene would be at the beginning of the movie, and not at the end? I also don’t know if it was just me, or the once again pointless 3D conversion, but the CGI at times seemed to be a little too CGIy. The other realms looked fantastic, and had a grand sense of space to them, but I felt like I was watching a video game at times, and actually had to remind myself I was watching a movie! I know that this is Kenneth Branagh’s first real CGI venture, and with that in mind it’s really not that bad. But next time, less is more. I’m starting to feel like I’m being unfair. They say that this is the first official movie of the summer season, but I’m going to give that title to Fast Five! Also, that way my summer can start on a high note, and not this middle of the road shit! Thor does its job of introducing the movie going public to the Mighty Thor, but ultimately it’s just not worth it.

Rating:


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“Pirate Radio/The Boat That Rocked”
a review by Darby O’Gill

Hands down, the feel good movie of the year! Before Howard Stern, and even before Wolfman Jack, a band of rogue deejays rocked the airwaves. In 1966, at the height of the British Invasion, rock and roll was only allowed to be played on British radio stations for barely two hours a week. The only way people in the U.K. could listen to rock or pop music was by tuning into pirate radio stations broadcasting from boats just off the coast of Britain in the North Sea. In Pirate Radio, previously released as The Boat That Rocked, earlier this year in the U.K., writer/director Richard Curtis tells a fictional story based on the true events of Britain’s rock and roll revolution. Broadcasting live 24/7 from an old tanker turned makeshift radio station, anchored just outside British jurisdiction, is a band of misfit deejays known as Radio Rock.

The story begins when Young Carl is sent by his mother to the ship known as Radio Rock, to spend time with his godfather Quentin, the owner of the radio station, who is played by the always brilliant Bill Nighy. It’s very much a coming of age story, and I think the British equivalent to Cameron Crowe’s Almost Famous. Once on board, Young Carl meets the motley crew of deejays. There’s The Count, the flagship American deejay that is constantly pushing the envelope and crossing the line, masterfully portrayed by Philip Seymour Hoffman. There’s the always charismatic, and at times narcissistic Doctor Dave, played by the extremely funny Nick Frost. Another familiar face is that of Flight of the Concords’ manager Brian, actor Rhys Darby, who plays the self proclaimed funny man Angus “the nut” Nutsford. Even though all the faces may not be familiar, this is truly an all-star cast. Each performance is so masterfully executed that you can’t help but feel the authenticity of this film. However, I think one of the most unsung heroes of this film is Ike Hamilton, who plays Harold, the ship’s booth technician. If you watch Ike’s performance throughout the film, I guarantee that you will be totally blown away. Every little nuance that he brings to the character of Harold just radiates brilliantly off the screen. If you’re reading this after you have already seen the film, I highly recommend seeing it again for Ike’s performance alone. But, if you’re anything like me you’ll already want to see this movie again regardless.

The other side of this story is that of the British government and their efforts to stop the pirate radio ships from broadcasting. This task is helmed by Sir Alistair Dormandy, played by Kenneth Branagh, and his new assistant Mr. Twatt. I’m not kidding, his last name is Twatt. And, yes Richard Curtis takes full advantage of it. Twatt is played by Coupling‘s Jack Davenport. Now, don’t worry. The political stuff doesn’t weigh down the story at all. Mostly because it’s not an overpowering plotline and it also lends itself to some of the film’s funnier scenes. I dare you not to laugh or at least snicker every time Dormandy says, “Twatt.”

Richard Curtis has, as always, done a masterful job telling this story. His unique vision, and heart warming style of storytelling, makes Pirate Radio/The Boat That Rocked a must see film. Every part of this film oozes 1966. The wardrobe is fantastic, the soundtrack is to die for, and even the look of the film itself sets the tone. It’s almost as if the film was shot and processed in 1966. Adding to the film’s authenticity, the bulk of the movie was shot onboard an actual ship, just off the south coast of England. Richard Curtis’ first cut of the film had a running time that was just over three hours. The final cut of The Boat That Rocked had a two hours and fifteen minute running time, where as the final cut for Pirate Radio has a one hour and fifty-six minute running time. I’ve seen the U.K. version of the film and enjoy both cuts, but I have to say this film is so enjoyable that I wouldn’t mind sitting though the three hour cut at some point. Most of the missing scenes from the first cut of the film appear on the U.K. DVD release of The Boat That Rocked. (U.K. DVD review will be posted soon) The two major scenes that were cut from The Boat That Rocked for the U.S. release of Pirate Radio consists of a visit to the Radio Rock ship from a large group of contest winners, and the other is the unseen stag party in London. The scenes aren’t necessarily needed, but this movie is so, as I said before, enjoyable that I don’t think you could ever get enough of these characters.

I realize this review is quickly becoming a mini-novel, but I think I would be crucified if I didn’t at least talk about the music in the film. As you would imagine, this movie is chock-full of classic rock from the likes of The Who, The Kinks, The Turtles, and so many more. Both the U.K. release, and the U.S. release of the soundtrack feature a two disc edition with 36 tracks to take you back. Also, the opening credit graphics are fantastic! The use of the radio tuner dial transitioning from scene to scene, as The Kinks’ “All Day and All of the Night” blares, instantly sucks you into the world of the movie. But, I think one of my favorite things was the use of the album covers in the end credits. It not only instills you with a fantastic sense of the history of rock and roll, but it also makes you want to listen to some great albums you might not have listened to in awhile. The bottom line here should be obvious at this point, but needless to say I highly recommend this movie no matter which version you see.

Rating:

5 Little People