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“Resident Evil: Afterlife”
a review by Darby O’Gill

Alice is back… Again. And this time she’s bringing it to you in 3D, but this ain’t Wonderland. It’s more of a zombie wasteland. To be honest, I know I’ve seen the previous three movies, but I don’t for the life of me remember anything about them. To be brutally honest, I didn’t even remember that this was the fourth movie in the series. I actually thought it was the third, but in my defense it is called Resident Evil: Afterlife 3D. Why can’t they just say, in 3D? Saw 3D is not the third movie of the series, it’s the seventh. So, say Saw VII in 3D. Where as, Jackass 3D works because it is in fact the third movie. See what I mean? Getting back to the series at hand, I do however remember that the last one took place in Las Vegas, and that birds were infected with the T-virus, which made for a cool scene, but other than that it’s all pretty fuzzy. I probably should have brushed-up on the other movies before going to Resident Evil: Afterlife, but to continue being honest, I don’t think it really mattered. In a nutshell, it’s still all about Alice’s ongoing battle with the Umbrella Corporation. And, what’s better than Milla Jovovich kicking a bunch of zombie ass? That’s right, multiple Milla Jovovichs. The clones are back as well, and they start out the movie by finally taking down the Umbrella Corporation’s main headquarters located in Japan. We’re also introduced to another one of the game’s franchise characters, Chris Redfield, played by Prison Break’s Wentworth Miller. I know that these movies are based on the Resident Evil video games from Capcom, and that their realism is to be taken with a grain of salt, but there is a moment in this latest installment that wouldn’t even be believable no matter how much you suspend your disbelief. Not that this is going to take away from your enjoyment of the movie, I’m just saying that the main character would be so dead within the first twenty minutes of this movie… Just saying. On the other hand, the movie’s 3D is really good. Writer/Director Paul W.S. Anderson does a great job of utilizing the 3D’s field of depth. He not only brings the action off the screen, but he also manages to keep the movie’s sense of 3D consistently throughout the film. Unlike Clash of the Titans, Resident Evil: Afterlife was filmed completely in 3D, and not just reformatted for the sake of a higher ticket price, and it shows. The movie might not be one of the best examples of modern cinema, but I would highly recommend experiencing the 3D in theaters if you get the chance. The Resident Evil movies definitely have a good sense of self, and each movie sets up the next just as well. That’s right. I think it’s safe to say a fifth Resident Evil movie will be getting the green light any day now, which I think I’m okay with. Just be sure to check your logic and reason at the door.

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