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“Scream 4”
a review by Darby O’Gill

The movie that changed the face of horror is back, and this time with a whole new set of rules. It’s hard to believe that it’s been 15 years since the first Scream movie came out, and just a little over 10 years now since Scream 3. One would even wonder if we needed a fourth installment to the Scream franchise, especially when three already seemed like one too many. But luckily for us, screenwriter Kevin Williamson has also returned this time around, and has brought a bit of that old fun creativity back with him. The one thing that made the original Scream so amazing was its outstanding writing. Sure, it wasn’t Shakespeare. But, there’s no denying that it was the writing that made that movie the classic it is today. And with Facebook, Twitter, and a whole new style of horror movies emerging in the last 10 years, Williamson had an opportunity play with some new ideas.

In Scream 4, Sidney Prescott, played by Neve Campbell, has finally written a book that tells her side of the story, and is somehow talked into finishing her national book tour in Woodsboro, on the anniversary of the first killing. With the return of Sidney, the anniversary, and yet another installment of the popular Stab movie series, wouldn’t you know someone else wants to try their hand at being the Ghostface Killer. Dewey, played by David Arquette, and Gale Weathers, played by Courteney Cox, are now married and currently living in Woodsboro, where Dewey is the town Sheriff. They also introduced a new generation of teens, along with the idea that the killer might not be playing by the rules of a sequel this time around, and might actually be looking for a 21st Century reboot!

I’ve got to say, I enjoyed Scream 4 more than the last two sequels, but I still think they could have taken it a little bit further. Although, having Kevin Williamson back in the screenwriter’s chair is a big help, they did have a few opportunities in this script to take the franchise in a whole new direction, but in the end, they ultimately ended up sticking to the same old format. Well, that’s not completely fair. There is a new twist to Scream 4, and not one that I think most people will see coming, but I think the biggest problem the Scream series has always had to deal with is the fact that the killer, or killers, have always clearly died at the end of each movie. The other big problem is that the movie isn’t about the Ghostface Killer, it’s about Sidney, Dewey, and Gale! With Freddy, Michael, and Jason, the movies are always about them, the rest of the cast is replaceable. It’s easy to bring back the unstoppable killing machine once they’ve been established, and at one point in Scream 4 (without giving anything away) they could have easily done that. I’m not saying that it would have been a good thing for the series, but it would have at least been different, and maybe even a new direction you didn’t see coming this time around. Scream 4 manages to keep the audience guessing, and has more red herrings than you can shake a stick at, but it is definitely a welcomed addition to the series.



“Due Date”
a review by Darby O’Gill

Okay, let’s just get the obvious out of the way here first. Due Date is a blatant rip-off of Planes, Trains, and Automobiles. There, I’ve said it. I don’t think it’s that much of a secret. I mean anyone who has seen Planes, Trains, and Automobiles could tell you that, just from seeing the trailer. And I must admit, the first time I saw Due Date, that fact weighed deeply in my enjoyment of the movie. Yes, it’s true that there are plenty of movies out there, that are just like every other movie you’ve ever seen. And yes, it is also true that every idea out there has been done like a million times before, and because of that I found myself enjoying Due Date a whole lot more the second time around. I also found myself quoting the movie every now and again, which to me are the signs of a good movie.

In Due Date, Peter Highman (Robert Downey Jr.) is traveling home to Los Angeles, where his pregnant wife Sarah (Michelle Monaghan) is about to give birth to the couple’s first child. Like all fathers-to-be, Peter is rather high strung… Actually, it seems like he’s always high strung. But, that gets taken to a whole new level, when thespian Ethan Tremblay (Zach Galifianakis) enters the picture. Due to a slight misunderstanding, both Peter and Ethan are removed from the fight to LA, and are placed on a “No Fly” list by the TSA. To top the whole thing off, Peter’s wallet is still on the plane, and he quickly finds himself stranded with no cash. The end. No! This is a road trip movie! Of course Ethan rents a car, and the annoying, over confident, human tornado of disaster that is Ethan Tremblay offers Peter a lift to Los Angeles.

Here’s the thing, Galifianakis is funny, but his character is way too close to the character he played in Todd Phillips‘ other big hit The Hangover. To be brutally honest, this could have been The Hangover 1.5: Alan’s Big Adventure. It’s not enough to ruin the movie, but it does enter you mind from time to time. Robert Downey Jr. on the other hand, plays a great asshole. It’s a nice throw back to his Weird Science days. The pairing of these two actors is great. I just wish the story and characters could have been a little bit more original. In Todd Phillips’ defense, The Hangover is a hard movie to follow, and Due Date might not be as great, but there’s a lot to be enjoyed here. Phillips gets an amazing performance out of Juliette Lewis as a drug dealer, much like he did with Heather Graham in The Hangover. Like I said earlier, I’ve seen this movie twice now, and I definitely enjoyed it more the second time around. There are a lot of fun moments, some really good laughs, and overall Due Date is a decent night at the movies.


The Hangover
a review by Darby O’Gill

Well, I went to see “The Hangover” last night… I think. To be honest I can’t remember. What the hell happened last night?! Okay, let’s see. Met up with Wayne and Kathy around… nine o’clock? We picked up Karen from work… went to the theatre. The Arclight, right? No! It was in Woodland Hills. We went to a late show, or maybe we had dinner? Come on Darby! Check your pockets. Maybe there’s a ticket stub in there. Let’s see, a pen cap, some change, and a wooden nickel? Where the hell did I get a wooden nickel? Here we go. A ticket stub to “The Hangover” at eleven fifteen at AMC. And what else do we have here? It’s a fortune from a fortune cookie? Where did that come from? I remember now. We got to the movie early and went to have dinner at P.F. Chang’s. Oh man, no wonder I can’t remember anything. I’ve seen “The Food.” I know that P.F. Chang uses M.S.G. Okay, fun time is over; let’s get on to the review.

“The Hangover”
a review by Darby O’Gill

Hands down the best movie of the summer! No, really. I went to see an advanced screening of “The Hangover” back in March and wanted to see it again immediately. Unfortunately, I had to wait three months before I could see it again. A long three months later, I’m pleased to say I enjoyed it just as much, if not more. The movie really is air tight. It’s just a non-stop laugh-fest. Zack Galifianakis steals the show, which is fantastic because I’m a long time Galifianakis fan. I have been waiting for him to get a project that would bring his genius to the masses, and I’m happy to say this is the one. But if this is your first time seeing Galifianakis in action, and you think he’s hysterical, please do not hold “G-Force” against him when it comes out in July.  The only performance that comes close to upstaging Zack is that of his baby co-star. The faces this kid makes are unbelievable. I mean it. That baby has to be CGI, there’s no way that’s a real baby.

Okay, let’s get to the plot breakdown; not that I have to tell you what the movie is about, I’m sure you’ve seen the trailers that give away everything. If you haven’t, here’s a breakdown that doesn’t give anything away. Three buddies, played by Bradley Cooper, Ed Helms, and Zack Galifianakis, take their best friend Doug (Justin Bartha) to Las Vegas for his bachelor party, and a night they’ll never remember. With no memory of the events that took place the night before, the guys wake up to discover that not only is Doug missing, but they only have 40 hours to retrace their steps and find Doug before his wedding.

This movie really does have it all. The script is hysterical from beginning to end. I’m not even going to hold the screenwriters’ last script, “Ghosts of Girlfriends Past,” against them. Director, Todd Phillips, keeps the pace of the movie moving, almost to a fault.  At times you actually feel exhausted because you truly don’t stop laughing for such a long period of time. The locked-off camera shot of Ed Helms, when he first wakes up is fantastic. Heather Graham stands out; with a charming performance that reminds us why we fell in love with her as Mercedes Lane in “License to Drive.” The cast works so well together that it was of no surprise to me that Warner Bros. green-lit a sequel more than a month before the film’s release. “The Hangover” is destined to be a comedy classic, with the likes of “Animal House,” “Caddyshack,” and “Bachelor Party.” I just hope the sequel can live up to the incredibly high standard set by the first film.


5 Little People