“Cop Out”
a review by Darby O’Gill

Now, I’m not going to make some cheesy pun about Cop Out being a cop out, that would be… Well, a cop out. Here’s the most confusing thing about Cop Out. No, it’s not the fact that Kevin Smith chose this to be the first film he would direct that he didn’t write. Although, that is rather odd and we’ll come back to that. No, the most confusing thing about Cop Out is that it’s about fifteen years too late to the party. What do I mean by that? Well, this is the sort of buddy cop comedy you would come to expect in 1996, but it’s 2010. I don’t know about you, but I would call that late to the party. Even in 1996, this would not have been considered a good movie by any means, but it might have been able to fly under the radar a little better at the time. Now it just sticks out like a sore thumb, and stands no chance of making it. Here is the confusing bit; I wouldn’t say this is a bad movie. I wouldn’t say it’s a good movie either. No, I wouldn’t really say I cared either way. The truly confusing thing is that when I left the theatre I knew it was bad, but the more I thought about it, the more funny moments I recalled. Overall, the movie is a train wreck, but there are some really funny scenes in the film, and part of me thinks that they might be worth seeing. I sort of think this is the type of movie that if I see it again, I might like it more the second time around. For right now, I’m on the fence. When it comes out on DVD, I’ll be sure to let you know if my opinion has changed, but until then you can find me over here on the fence.

In Cop Out, Bruce Willis and Tracy Morgan play partners that have been suspended for their unorthodox police methods. Imagine that. And, when Willis realizes that being suspended means he won’t be able to pay for his daughter’s wedding, he decides to sell his rare baseball card to raise the money. You’ll never guess what happens next. That’s right! When the baseball card gets stolen, the suspended officers find themselves smack dab in the middle of New York’s biggest bust. Hellooooo, 1996!

Let’s get back to the mystery that is Kevin Smith directing this film. Let’s be honest, you don’t go see a Kevin Smith movie for the directing, you go see it for his writing. Now, I personally like Kevin Smith. Sure he’s had a few misses along the way, but overall I think he’s done a great job of staying true to his style of filmmaking… Until now of course. And, why is that? My guess would be, he wants to get into the game. And, who could blame him? With Peter Jackson going from Bad Taste to Oscar, and Jon Favreau finding his way to mainstream blockbusters, it’s only natural that Kevin would one day want to do the same. A studio like Warner Bros. is not going to just hand a project to someone like Silent Bob. No, their going to want to make sure that he is willing to play ball first. If I had to guess, I would say Cop Out wasn’t something Kevin asked to do, as much as it was assigned to him. A hazing if you will, to test the View Askew waters for Warner Bros. I’m really hoping that this is the case, and if so, I’m not going to rush to judgment just yet. I’m going to wait to see his next project before doing so, but until then we’ll just have to wait and see.

Rating:


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