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(This is NOT an official poster. It's just a place holder that I made for the review.)
“Frankie Go Boom”
a review by Darby O’Gill
Good News & Bad News
The Good News: Frankie Go Boom got into SXSW (South by Southwest Film Festival)
The Bad News: I have to take down the review for just a little while. But, don’t worry it’ll be back immediately after SXSW.
Secondary Good News: After SXSW, the Stash might just get an exclusive interview with the film’s writer/director Jordan Roberts! (I’ll keep you posted on that)
Congratulations to Jordan and the rest of the crew, on Frankie Go Boom getting into SXSW and good luck at the festival!
Thanks for showing interest in Frankie Go Boom, and be sure to check back here for more info!

“I Spit on Your Grave”
a review by Darby O’Gill
Do you like rape? What am I saying? Of course you do! Who doesn’t? No, really. You’re going to have to be really okay with rape scenes if you’re even going to thinking about seeing this movie. I Spit on Your Grave is a remake of the 1978 grindhouse exploitation film Day of the Woman, which was later re-titled and released as I Spit on Your Grave in 1980. The movie was very much one of those movies you hear about in high school, and know you shouldn’t see it, so of course you’ll do anything to get your hands on a copy. Much like those Faces of Death videos. I of course watched the original back in high school, but can’t remember anything about it, other than the fact that it, like everything else, did not live up to the hype. So, when Shady and I went to the advanced screening of the current re-interpretation of I Spit on Your Grave a few months back, neither of us had any idea what we were walking into.
We’re talking about almost forty minutes, if not more, of hardcore rape. And, I mean rape. Which is then followed by graphically violent revenge torture. Shady and I both have a pretty high tolerance for all things wrong, and even we were having a hard time sitting through this movie. I’m not kidding, people were leaving the theatre in waves throughout the screening, and by the end of the movie the full theatre was easily half empty. You know it’s bad when you’re filling out the questionnaire at the end of the movie, and when you get to the “What would make this movie better?” question, you actually find yourself writing “less rape.” With that said, Sarah Butler, the actress who plays the young victim, is outstanding! The things that she had to do for this movie are unbelievable, and the fact that she not only did them, but also was able to give a performance that would make even Meryl Streep envious, is simply amazing! Butler plays Jennifer, a young female novelist who has rented a reclusive cabin out in the middle of nowhere to get some writing done, and quickly becomes the fascination of four local men.
As you can probably guess at this point, they brutally and graphically rape her. The tension and discomfort of the first half of this movie is sure to bother everyone, and I mean everyone! I don’t care how much you say nothing bothers you. If you can watch this movie without getting upset or truly uncomfortable, you’re either a sick freak or a soulless bastard. How do I know this? Because I was sitting with someone who would normally fit that description, and even he was both bothered and uncomfortable. The revenge torture in the second half is equally graphic and unsettling. But, it does seem to somehow manage to even out the scales somewhat with Jennifer getting her revenge. But with all of that said, I still think that some of the movie was really well done, for what it was. It’s really hard to say you enjoyed a movie about really graphic rape, and at times one step away from an exploitation snuff film, but there are a few things worth seeing in this remake of I Spit on Your Grave. Just be ready. I mean really, really, really ready.
Rating:


“The Crazies”
a review by Darby O’Gill
Welcome to Ogden Marsh, population 1,260, and dropping. I’ve got to tell you, this is one hell of a movie. It hasn’t even opened nationwide yet, and I’ve already seen it twice. It’s a remake of a 1973 George A. Romero film of the same name. I haven’t seen the original, but I’m now really looking forward to checking it out very soon.
George A. Romero was an executive producer on this new version as well, which is always a good sign on a remake. The one thing I would however advise you to do before seeing The Crazies, is to not watch all the trailers for the movie before seeing it. The one that I have posted at the end of this review is safe, but this is truly the type of movie that the less you know going in, the better. The second time I went to see it, I brought Shady with me, who watched the trailer right before going, and he said it totally ruined it for him. Now this was months ago, so the trailer he watch was the first trailer they released, and they have since stopped showing it for just that reason. The new trailers are a little bit more vague, but it’s still better to just go see the movie with absolutely no spoilers.
Now, this is where I would normally tell you what the movie is about… But, how can I do that, when I just told you not to watch any of the film’s trailers? Okay, here’s what I feel I can tell you… This is not a zombie movie. Most people hear George A. Romero, and instantly think zombie, which they damn well should! However, this is not about zombies. In this movie, it’s more like a virus with zombie type symptoms. Unlike zombies, the infected in this movie don’t want to feed on human flesh, or hunt in hordes. No, it’s more like a creepy, calm, empty rage,
which on film is way scarier than it sounds. Trust me. The Crazies takes place in a small Iowa town just outside Cedar Rapids, where Sheriff David Dutton, played by Timothy Olyphant, tries desperately to save his wife and town from a sudden virus, and at the same time a government quarantine. That kind of sums it up quite nicely, and spoiler free to boot.
I really liked this movie. You can even tell when you’re watching it, that the filmmakers, really knew what they wanted to do with this project. At no point does it try be something it’s not. It’s just a nice clear-cut story that is brilliantly directed by Breck Eisner, and
is a perfect example of what I would consider an outstanding movie. Which is shocking because Eisner, son of Michael Eisner, also directed Sahara. What I think really does work for this movie, is that it has this “little movie that could” feel to it that definitely adds to its charm, much like one of my other absolute favorite movies, Feast. If you have not seen Feast yet, shame on you! More on that some other day, but for now back to the movie at hand. The Crazies really does do a wonderful job of mixing the suspense and tension in the film, into a fantastic horror cocktail. The scenes in the funeral parlor and car wash are just so good, truly classic horror movie moments. I can almost guarantee that I will be seeing this again in the theatre real soon. It’s just simply a fun ride. So, to all of you reading this right now, do yourselves a favor; buy a ticket, and take the ride. You’d be crazy not too.
Rating:


